Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! I really LIKE the steely edge in Damrau's voice for the queen, though! Geas is pronounced like an elision of the two English words gay-ash, with the "a" in ash very lightly spoken, entirely unstressed. This is ***NOT*** the sub for the opera **browser**. Der Hölle Rache (Revenge aria) (3)  –  Popp. Schwur is still a very common word in German, whereas geas is archaic and obscure in English. I think Lucia Popp may have done the best recording, but recording is not performing. Der Hölle Rache (Revenge aria) (4)  –  Gruberova. "Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache" and also referred as "Queen of the Night's Aria", is a song from the 1791 opera The Magic Flute. People won't go "Oh, here it means THIS" if they don't know what geas means. Thank you for helping build the largest language community on the internet. For the same reasons as yourself. Wilma Lipp set the standard in the fifties. Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Wolfgang Amadeus Mozart Disowned may you be forever, Abandoned may you be forever, Destroyed be forever All the bonds of nature, If not through you Sarastro becomes pale!

Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Spilled Blood on the Footsteps of My Mind (Revisited), List of Minor Characters from Season Four,ölle_Rache?oldid=393183. Clara Polito could alternately rock it or ruin it. Dein ist mein ganzes Herz (Land des Lächelns), Dies Bildnis ist wunderschön (Zauberflöte), Madamina, il catalogo, Catalogue Aria (Don Giovanni), Unis dès la plus tendre enfance (Iphigenia). Lurker and sometimes opera listener here. Here is a list of video links collected from comments that redditors have made in response to this submission: I'm a just a poor boy from a 3rd world country (easy come, easy go) and I can't afford to go overseas to watch them live.

I can see how Damrau would be the better one to watch live from seeing her moving around so actively during a recording. She was a brilliant singer, but it was not a good role for her.

Like she began the notes at forte and backed off to piano before hitting the next note.

It is precisely because the obligation is being imposed by the Queen of the Night, rather than it being an obligation that she is taking upon herself, that "geas" is considered a more accurate translation than "oath". Der Hölle Rache (Revenge aria) (6)  –  Sutherland, Der Hölle Rache (Revenge aria) (7)  –  Petitbon. Edit: Maszella Holzapfel has the clarity, consistency of intonation, and timbral qualities I'd associate more with vocal beauty than Damrau's instrument. I said I’d like to take the second one. 'Der Hölle Rache' Lyrics in German . When he finishes the song, the people throw roses and cheer for him. She is someone that I love to hear recorded and not wild to hear in a performance. She is outraged. Bajando... Now would be a good time to call it a day, unless ... Vladimir Vysotsky - Случай на шахте (Sluchay na shakhte), Urusei Yatsura (OST) - モノトーンの夏 (Monotone no Natsu). That explanation has already been provided to you in the preceding post; for your convenience, here it is again -. With the greatest respect, there is no interpretation involved. It is interesting to follow the discussion if oth or geas (never heard before and as explained of gaelic origin) is the better translation of Schwur. Listen to the audio pronunciation of Der Hoelle Rache kocht in meinem Herzen on pronouncekiwi.

Wenn nicht durch dich! Please explain what is exactly " "imposed". She has sung this role in an incredible two hundred performances. If Sarastro does not through you feel The pain of death, Then you will be my daughter nevermore. The orchestral introduction consists only of a forte d minor chord of the whole orchestra, which defines the gloomy atmosphere from the very beginning. Mother is threatening the daughter but the "Schwur" is made to herself. Gruberova made her debut in this role 1974 at the age of 24 at the Vienna State Opera and sang the same year in Salzburg under Herbert von Karajan. She doesn't take the high section too fast or too slow, and she looks like she has fun while doing it. A while back I heard this piece (my favorite in almost all of opera) performed by someone who sang the notes at 00:28 in the Ingmar Bergman video you posted with what sounded like (to my semi trained ear) almost tennueto.

Crystal clear and dramatic. Hört, Rachegötter, DER HÖLLE RACHE – the revenge aria from the opera die Zauberflöt...öte-Mozart.png,, DER HÖLLE RACHE - the revenge aria from the opera die Zauberflöte. Translation of 'Der Hölle Rache kocht' by Wolfgang Amadeus Mozart from German to English (Version #2) Deutsch English Español Français Hungarian Italiano Nederlands Polski Português (Brasil) Română Svenska Türkçe Ελληνικά Български Русский Српски العربية فارسی 日本語 한국어 The singer of the premiere was Mozart’s sister-in-law Josepha Hofer. Few sopranos can sing this aria regularly without damaging their voices. This isn't Norma, Armida, or Roberto Devereux. So Mozart wrote her this aria in her throat. Fühlt nicht durch dich Sarastro Todesschmerzen, So bist du meine Tochter nimmermehr.

I'm a just a poor boy from a 3rd world country (easy come, easy go) and I can't afford to go overseas to watch them live. The pitch, however, was transposed downwards. Synopsis: The Queen of the Night learns that Tamino is trying to join Sarastro’s Temple instead of freeing her daughter Pamina from his hands. "The plot of the Magic Flute includes the scene in which the Queen of the Night tries to impose this obligation upon her daughter, Pamina, and not upon herself. She tells Pamina that her deceased husband has handed over the Sun Circle to Sarastro and he thus received power. Press question mark to learn the rest of the keyboard shortcuts, Here is Edita Gruberova, who IMO has comparable power and metallic/other timbral qualities to Damrau, Mozart - Die Zauberflöte - Ingmar Bergman - Trollflöjten - Aria of the Queen of the Night 1975, Maszella Holzapfel - Die Zauberflöte - Mozart 02, Dessay performs "Der Hölle Rache" from "Die Zauberflöte". A dagger is a "Dolch", the instrument to commit the murder, but is not a oath/vow.

Thank you so much for this.

Asking you because you seem to have knowledge that I lack.

I love Erika Miklosa's rendition. It is two arias and a finale. That said, very different voices here. Episode: Sarastro wird erblassen! Karajan sucked with Lipp in 1950, rocked Karin Ott in 1970. The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed. Hört, Rachegötter, hört der Mutter Schwur! Note 2: The preceding German to English translation by mario.rodriguezgonzalez.9 was a source for this translation. I have never been able to figure out the massive appeal of this aria.

I have seen her live several times and she is a consummate artist. Here the queen is seething with rage.

But more accessible is not the same as more accurate. "Der Hölle Rache kocht in meinem Herzen" (English: Hell's vengeance boils in my heart) is an aria for the Queen of the Night in Mozart's opera The Magic Flute (German: Die Zauberflöte). I am not Peruvian, but this is my help: May be, but she is giving her orders to the daughter because of her vow. I'm crying real tears of laughter. The Staccatos blaze up dramatically like no other interpretation. South Park Archives is a FANDOM TV Community. It makes her seem more strident and evil, whereas a warm, beautiful sound would be more sympathetic than the character warrants.

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